Photographer, Alon Skuy, was there for the country’s unvarnished moments: Marikana, xenophobic violence, political theatre, Joburg’s night-time souls under bridges and neon. His work had the clarity of something washed in harsh light and hung out to dry.
Photographer, Alon Skuy, was there for the country’s unvarnished moments: Marikana, xenophobic violence, political theatre, Joburg’s night-time souls under bridges and neon. His work had the clarity of something washed in harsh light and hung out to dry.