Rose of Nevada, the film making British cinema weird again
Director Mark Jenkin talks analogue filmmaking, Lynchian nightmares, and working with George MacKay and Callum Turner
Black News 
In an age where anyone could become a Sean Baker by hitting “record” on their phone, Mark Jenkin has stayed ahead of the curve with old technology. On Bait, Jenkin’s 2019 debut feature, he used a wind-up Bolex camera from 1976, shooting everything on scratchy 16mm film. It was an instant cult success. At the BAFTAs, where Bait won an award in early 2020, Quentin Tarantino approached Jenkin with praise, callinghellip;
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