A weapon for good: UK AIDS Quilt visits Wakefield

The UK AIDS Memorial Quilt was shown in its entirety for the first time outside London last weekend. Wakefield had the honour of hosting this precious and powerful artwork.  The quilt is a memorial to people who have died of AIDS in this country, featuring over 570 names, but honouring so many others. Names upon ... A weapon for good: UK AIDS Quilt visits Wakefield

A weapon for good: UK AIDS Quilt visits Wakefield
Many large quilts on display in a vast hall. Each panel is about the size of a single bed, and has been joined together with several others to make larger blocks. Some of these blocks hang from tall frames from ceiling to floor, others are laid on the floor. The individual panels are hand-made and colourful, in remembrance of people who have died from AIDS.

The UK AIDS Memorial Quilt was shown in its entirety for the first time outside London last weekend. Wakefield had the honour of hosting this precious and powerful artwork. 

The quilt is a memorial to people who have died of AIDS in this country, featuring over 570 names, but honouring so many others. Names upon names, the sheer numbers would be devastating were it not for the love and devotion that has clearly gone into every single panel. The quilt panels were made by friends, lovers, families and colleagues of people who have died. They feature the things that were important, the things that brought pleasure, the person’s qualities and character, their occupations and pastimes. Each quilt panel is an authentic representation of a person’s life. Needless to say, it’s incredibly moving.

The quilt was started in the late 1980s, when people with HIV and AIDS faced open hostility and exclusion. So it is also a protest, an act of defiance in the face of hatred and prejudice, which might have reduced, but have not disappeared. It’s a “weapon for good”, says Siobhan Lanigan, chair of the partnership that cares for the quilt. It gives due respect and value to lives that others have shunned.

As well as shedding a few tears, I also found myself smiling at many of the panels’ messages. I’d have liked to have met the king of the catwalk, or the fan of Starlight Express. The work of well-known artists and musicians was evoked on several panels, so I carried the riotous street art of Keith Haring and Sylvester’s sublime disco hit Mighty Real with me as I progressed along the rows of quilts.

The quilt’s visit to Wakefield lasted just a few days, and being able to view the whole thing is a rare opportunity.  Alternatively, the website is excellent, with images and brief descriptions of all the quilt panels, many with audio. So you can pay your respects online.