Chance the Rapper, Chappell Roan, & More Power the Midwest Movement Mix: See the Playlist 

The Planet Fitness Movement Mixes start from a simple idea: what you’re listening to while you move isn’t just background noise—it shapes the energy you bring into the moment, and sometimes even the version of yourself you’re stepping into. 

Curated by Billboard’s editorial team and informed by Luminate’s streaming and consumption data, these playlists are grounded in real listening behavior—what people are returning to, replaying, and moving with. It’s where charts meet lived experience: the songs tied to movement, including early morning workouts, late-night resets, and life in between. 
From the first rep to feeling stronger every day, music becomes the thing that carries intention forward. It’s less about genre and era, and more about momentum—what keeps you going when you almost stop. 

Built from editorial expertise and the top 200 tracks (January 2026–present) across Chicago, Detroit, Minneapolis–St. Paul, Indianapolis, and Columbus, the Midwest Momentum Mix (listen HERE) reflects a region that doesn’t listen in one lane. It’s expansive and fluid—where hip-hop, pop, rock, and regional favorites all coexist naturally. The thread isn’t style, it’s energy: songs people keep coming back to because they work in the moments that matter. 

No Hands – Waka Flocka Flame featuring Roscoe Dash & Wale 
“No Hands” captures the carefree pulse of early 2010s Southern hip-hop, driven by booming production and an unmistakable hook that refuses to sit still. Waka Flocka Flame, Roscoe Dash, and Wale each bring distinct energy, turning the record into a defining party anthem of its era. Its continued resurgence across platforms only reinforces its lasting cultural imprint and nostalgic pull. 

Thunderstruck – AC/DC 
“Thunderstruck” opens with one of rock’s most recognizable guitar riffs, instantly signaling impact. Powered by AC/DC’s signature blend of relentless guitars, driving drums, and larger-than-life vocals, the track has become a fixture in sports arenas and high-energy cultural moments. Decades later, it still delivers the same surge of anticipation. 

Enter Sandman – Metallica 
Anchored by its iconic opening riff, “Enter Sandman” balances heaviness with restraint, building tension through crushing drums and shadowed melodies. The track marked Metallica’s crossover into a broader audience while solidifying its place in rock canon. Its presence in stadiums and broadcasts has only amplified its lasting intensity. 

Don’t Stop ’Til You Get Enough – Michael Jackson 
As the lead single from Off the Wall, this track marked a turning point in Michael Jackson’s solo era. Disco strings, bright horns, and propulsive percussion lock into a groove that never lets up, while Jackson’s falsetto carries effortless joy. It remains a defining moment in disco-influenced pop. 

In the End – Linkin Park 
“In the End” blends hip-hop, rock, and electronic textures into a tightly structured emotional arc. Mike Shinoda’s measured delivery contrasts Chester Bennington’s soaring hook, while piano motifs and heavy guitars build steady forward motion. Its resonance has only deepened over time, connecting across generations. 

Tití Me Preguntó – Bad Bunny 
“Tití Me Preguntó” thrives on constant movement, shifting between reggaetón, dembow, and Caribbean influences without settling into one lane. Bad Bunny toggles between humor and precision, while rhythmic changes keep the track unpredictable. It stands as one of his most dynamic and widely embraced global records. 

A Bar Song (Tipsy) – Shaboozey 
“A Bar Song (Tipsy)” reworks a familiar hook into a modern crossover moment, blending country storytelling with hip-hop cadence. Built for communal singalong energy, it thrives on repetition and momentum. Its chart dominance reflects both its familiarity and its fresh reinterpretation of nostalgia. 

Yeah! – Usher featuring Lil Jon & Ludacris 
“Yeah!” is defined by Lil Jon’s crunk production and an instantly recognizable rhythmic snap. Usher’s vocal control meets Ludacris’s closing verse in a track built for maximum impact. More than two decades later, it remains a definitive early-2000s club anthem. 

That’s What I Like – Bruno Mars 
Smooth but rhythmic, “That’s What I Like” balances minimalist percussion with layered funk and R&B textures. Bruno Mars leans into understated charisma, letting groove and pocket lead the record. A chart-topping hit, it continues to hold a polished, timeless feel. 

Don’t Stop the Music – Rihanna 
From its opening pulse, “Don’t Stop the Music” locks into forward motion, built on house-inspired production and layered vocal energy. The interpolation of “Wanna Be Startin’ Somethin’” adds connective nostalgia, while Rihanna anchors the track with steady command. It remains a staple of global dance floors. 

HOT TO GO! – Chappell Roan 
“HOT TO GO!” turns structure into participation, built around call-and-response energy that invites movement. Its cheerleader-style hook transforms repetition into release, blurring the line between performer and audience. It’s playful, direct, and designed for collective momentum. 

No Problem — Chance the Rapper featuring Lil Wayne & 2Chainz
“No Problem” moves with ease, balancing optimism and defiance in a way that feels unforced. Chance turns self-assurance into something communal, carried by a light but intentional flow. It’s less about arrival than sustained motion—confidence that doesn’t need to announce itself. 

Lose Yourself — Eminem 
“Lose Yourself” compresses urgency into a single unfolding moment, where hesitation gives way to instinct. Eminem builds tension through structure and release, tightening the space until action becomes inevitable. It remains a defining study in pressure and forward motion. 

Power — Kanye West 
“Power” operates in constant tension—expansive yet unstable, controlled yet volatile. Kanye frames dominance as something never fully settled, carried by production that feels both monumental and fractured. It holds forward motion through force rather than resolution. 

Sugar We’re Going Down – Fall Out Boy 
“Sugar, We’re Goin Down” finds Fall Out Boy in a tight push-and-pull of emotion and momentum. Jagged guitars and a driving rhythm keep everything slightly off-center, while the chorus rises with an uneasy lift. Patrick Stump toggles between restraint and release, turning confession into something melodic but wound tight. It’s mid-2000s emo at scale, but what gives it stayingpower is the momentum underneath it—restless, hook-driven, and always on the verge of spilling over. 

Fever Dream – Alex Warren 
“Fever Dream” builds gradually, trading explosive energy for steady emotional lift. Alex Warren pairs storytelling with an expansive chorus that feels earned, letting the song grow in intensityrather than rush toward it. There’s a quiet resistance at its core – the kind that keeps moving forward one step at a time, a reminder that momentum isn’t always loud, but rather sometimes found in persistence.