Freddie McGregor – FM

First issued in 1992 through Earl “Chinna” Smith’s High Times label, FM brings together recordings made between 1977 and 1982, a particularly strong period for McGregor and Jamaican reggae. With the mighty Soul Syndicate Band providing the backing, the album finds the singer moving comfortably between conscious roots material and the smooth, soulful delivery that made him such a favourite with lovers rock fans.

One of the album’s standout tracks is Natural Collie, McGregor’s much-loved herb anthem. Its laid-back, rolling bassline and Earl “Chinna” Smith’s distinctive guitar work create an irresistible groove. Freddie’s warm, effortless vocals give the song a spiritual depth that goes well beyond a simple celebration of the herb.

The mood changes considerably on Mark Of The Beast, where a driving steppers riddim supports Freddie’s warnings about the state of the world. Revolutionist, meanwhile, revisits his Studio One original, this time with the Soul Syndicate horns adding some welcome brass power. Both tracks show a more militant side of the singer without losing the melodic touch that makes his work so recognisable.

Strange Things is another track worth revisiting. Its darker, minor-key riddim suits McGregor’s reflections on troubled times and changing morals. There’s a certain uneasiness running through the song, and his soulful delivery makes it all the more effective. On Love Ballad, Freddie changes direction, returning to the romantic territory he handles so naturally. It’s a pleasant contrast, even if the tougher roots selections leave the strongest impression.

Long treasured by collectors and dedicated reggae fans, FM catches Freddie McGregor in excellent vocal form, backed by musicians who knew exactly how to build a riddim around his voice. Soul Jazz Records has done reggae lovers a real favour by bringing this album back into circulation. Whether you’re discovering these recordings for the first time or revisiting an old favourite, FM is well worth your attention.